Some products emerge not merely as successors, but as self-referential inquiries into the brand’s very essence. The Audeze LCD-5 stands as precisely such an entity. It represents an intentional departure from the “house sound” that had defined the company for over a decade—heavy, warm, and at times even sensual—while simultaneously posing a fundamental question: What is the ultimate purpose of a flagship headphone? Musical warmth or uncompromising accuracy?
Announced in September 2021, this headphone is not simply the product of technical evolution. It represents a redefinition of the philosophy known as Audeze, a crystallization of contemplation around the essence of the act of listening itself. In this review, we shall peer into the technical depths of this ambitious product, dissect its acoustic characteristics, and question its raison d’être in today’s high-end audio market.
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Audeze LCD-5 — Overview
- Manufacturer: Audeze LLC
- Model: LCD-5
- Release Date: September 2021 3
- Price: $4,500 USD 1 / Japan approx. ¥582,714 37
| Specification | Value |
|---|---|
| Style | Over-ear, open-back |
| Transducer type | Planar Magnetic |
| Transducer size | 90 mm |
| Frequency response | 5Hz - 50kHz |
| Impedance | 14 Ω |
| Sensitivity | 90 dB/1mW |
| THD | <0.1% @ 100 dB SPL |
| Weight | 420g |
| Source: 2 |
The Intersection of Third-Party Evaluations
The ripples that the LCD-5 cast into the audio community were both extensive and bipolar. Surveying its reception reveals two distinct currents: near-universal praise for its technical achievements and active debate regarding its tonal character. This paints the portrait of a solitary flagship that commands respect but doesn’t necessarily guarantee unconditional love.
| Media | Quote (Japanese translation + original) | Rating |
|---|---|---|
| Headfonics 7 | ”Certainly, it’s the most mature-sounding and cohesive high-end Audeze headphones to date.” | 9.3/10 |
| Stereophile 8 | ”…detailed and insightful but never aggressive, nonfatiguing, and always enjoyable.” | N/A |
| MajorHifi 9 | ”The midrange of the LCD-5 is, in a word, brilliant… I’d describe it as an HD600 on steroids…” | N/A |
| The Audiophile World 10 | ”The Audeze LCD-5 is a highly resolving planar headphone. Capable of reproducing micro-fine details…” | N/A |
| The HEADPHONE Show (YouTube) 11 | ”…a heavy plate of technical brilliance that might feel like a seven course meal for the ears but with a flavor profile… that may not be everyone’s cup of tea.” | Mixed |
| Reddit User “Pangolin_Unlucky" | "Almost every impression/review i’ve come across praise its detail and speed, while straight up not liking it cus it’s just not a good time…” | Negative |
| Reddit User “Stunning_Ad_8081" | "The lcd-5’s really don’t sound like the X’s at all to me. The 5’s in general don’t have the Audeze house sound.” | Neutral |
| Headphones.com Forum | ”Bass detail… wow. Dare I say some of the best bass detail I’ve heard? I added a bass shelf… and oh my god… words fail me.” | Positive (with EQ) |
Summary: The community consensus is clear. The LCD-5 is praised as a technical masterpiece for its resolution, speed, and transparency 9. However, its sound signature marks a clear departure from traditional Audeze’s warm, hefty bass, and this divergence becomes the primary factor dividing opinions 12.
A critical perspective is required here. Reviews from authoritative media like Headfonics and Stereophile are overwhelmingly positive, but this follows a common trend in flagship product reviews using manufacturer-provided samples. While their praise for technical performance is likely sincere, their tendency to downplay tonal quirks should be interpreted with appropriate discount. In contrast, discussions on Reddit and specialized forums reflect more candid user experiences, suggesting that the stock tuning possesses a distinctly “love it or hate it” character, and that equalization (EQ) plays a crucial role in unlocking its true potential 12.
Overall, the LCD-5 emerges as a headphone with immense potential that may require active listener intervention (EQ) to fully unleash its capabilities—a product for connoisseurs. This consistent theme of “praise for technique, bewilderment at tonality” seems to expose a fundamental schism within the audio community between objective performance and subjective pleasure. The LCD-5 sits precisely atop this fault line.
The Abyss of Design Philosophy — Technical Characteristics
To understand the LCD-5’s design, we must first grasp Audeze’s historical context. Founded in 2008 and rising to prominence with the LCD-2 in 2009 17, the company established its position through products that were large, heavy, and possessed a characteristically warm, dark sound signature until the LCD-4 in 2015. This tradition was the legacy that the LCD-5 needed to overcome or depart from.
Revolution in Form: The Pursuit of Lightness
The most significant and obvious technical goal of the LCD-5 was radical weight reduction. At 420g, it achieved a remarkable reduction of nearly one-third (approximately 270g) from the 690g of its predecessor, the LCD-4 2.
This feat was accomplished through a comprehensive material overhaul. Traditional wooden rings were replaced with acetate featuring an elegant “tortoiseshell” polished finish, carbon fiber was adopted for the headband, and magnesium for the chassis’s main components 2. This represents a clear transition from aesthetic tradition to functional modernism.
Revolution in Function: New Era Driver Paradigm
Physical transformation is inseparable from the renewal of its acoustic core.
- Nano-Scale Parallel Uniforce™ Voice Coil: This is the LCD-5’s technical nucleus. This patent-pending technology places variable-width parallel traces on the diaphragm, optimizing driving force according to magnetic field strength and creating uniform force across the entire diaphragm. This dramatically reduces distortion while improving diaphragm control 2.
- Miniaturized 90mm Driver: The significant downsizing from the conventional 106mm driver not only contributes to weight reduction but is also believed to enhance faster, tighter transient response characteristics 2.
- Advanced Fluxor™ Magnets and Fazor™ Waveguides: Single-sided magnetic circuits optimized for the new voice coil design, combined with redesigned Fazor™ waveguides, suppress diffraction and reflection within the ear cups while more efficiently directing sound waves to the ears 2.
Ergonomics and Acoustic Design
- Sculpted Ear Pads: The new ear pad structure with internal slope is not merely a comfort component. It is precisely designed as part of an acoustic chamber to reduce unwanted resonances and improve response, particularly in the mid-high range 2. However, their narrow contact area and strong initial clamping force drew comfort-related feedback from some users 14. Audeze’s subsequent provision of improved headband versions in response to this feedback should be remembered as evidence of the company’s sincere commitment 14.
The LCD-5’s design must be understood not as a collection of independent improvements, but as a chain of interrelated technical tradeoffs. The supreme imperative of “weight reduction” dictated almost all other design choices. Weight reduction first required changing materials to carbon fiber and magnesium 2. Further weight reduction necessitated the transition from heavy dual-sided magnetic circuits to lightweight single-sided circuits 16. However, single-sided magnetic circuits are inherently weaker in driving force. To compensate for this weakness while maintaining low distortion and high control, the more advanced Parallel Uniforce™ voice coil technology was inevitably developed 2. And to optimize the acoustic characteristics of this entirely new driver system, a complete redesign of the acoustic chamber, including the ear pads, became necessary 2.
Thus, the LCD-5’s physical form and its resulting unique sound signature (faster, tighter, clearer midrange, and less bass “slam” than the LCD-4) are not separate attributes. They are direct and inevitable consequences of a single, but absolute, engineering directive: “Make it lighter.”
Specification Comparison with Competitors
| Model | Type | Weight | Impedance | Sensitivity |
|---|---|---|---|---|
| Audeze LCD-5 | Planar Magnetic | 420g | 14Ω | 90dB/1mW |
| HIFIMAN SUSVARA | Planar Magnetic | 450g | 60Ω | 83dB/1mW |
| Dan Clark Audio EXPANSE | Planar Magnetic | 418g | 23Ω | ~87dB/1mW |
| Focal Utopia (2022) | Dynamic | 490g | 80Ω | 104dB/1mW |
| ABYSS AB-1266 Phi TC | Planar Magnetic | 640g | 47Ω | 88dB/1mW |
Acoustic Characteristics from Measurement Data
While listening impressions are subjective, measurement data reveals the objective physical characteristics behind them. The LCD-5’s various measured values eloquently demonstrate how closely its design philosophy and unique acoustic characteristics are interconnected.
Frequency Response
The LCD-5’s frequency response demonstrates a clear departure from traditional Audeze sound. Measurements from multiple third-party institutions, while varying in detail, paint a consistent trend.
- Bass to Midrange: Multiple measurements confirm an almost flat line from 20Hz to around 1.5kHz 3. This characteristic, described as “ruler to the mids,” suggests uncolored, accurate reproduction of bass and midrange 3.
- Mid-Treble: Most distinctive is the region from 1.5kHz upward. A clear elevation (ear gain) has been implemented in the 3kHz to 6kHz region that many Audeze products had intentionally suppressed 14. This tuning approaches more modern target curves (such as the Harman target), enhancing vocal and instrumental clarity and presence 14. However, this emphasis is a double-edged sword, appearing as steep peaks reaching +6dB in some measurements, potentially causing some listeners to perceive it as “too bright” or “shouty” 37.
- Treble: Beyond 6kHz, the trend shows smooth decay with fewer peaks and dips 15. This represents sophisticated treble aimed at avoiding harshness or excessive brightness while remaining fatigue-free during extended listening 38.
Total Harmonic Distortion (THD)
The LCD-5’s technical excellence is most succinctly demonstrated by its extraordinarily low distortion. Audeze’s nominal specification of less than 0.1% at 100dB SPL is an extremely low figure 2, confirmed by third-party measurements. One measurement showed distortion generally remaining within 0.1% to 0.5% range even at high SPL, representing outstanding performance for a flagship 15.
This low-distortion characteristic is the core essence that makes the LCD-5 an incomparable “platform.” The driver maintains the ability to preserve clean signal integrity even with extreme 18dB low-shelf boosts without breaking down 9. This means that the purity of sound remains intact even when dramatically altering the signature through equalization, providing users with extensive sound-crafting freedom.
Transient Response
If frequency response determines the “color” of sound, transient response defines its “outline” and “speed.” In this regard, the LCD-5 boasts pinnacle performance.
Spectral decay measurements demonstrate astonishing speed in signal cessation aftermath. According to detailed analysis, the LCD-5 recorded the fastest transient response in measurement history, surpassing even renowned competitors like the HIFIMAN Susvara and Abyss AB-1266 Phi TC 15. This physical speed is the source of its overwhelming resolution, sharp attack, and perfect separation in complex passages.
Analysis
The measurement data confirms that the LCD-5 is not an accidental creation but the logical result of clear design goals—namely, departure from traditional house sound and pursuit of objective technical ideals. The flat bass, intentionally implemented mid-treble gain, and smooth treble represent tuning aimed at analytical accuracy. Supporting this is a driver system that achieves technical completion with distortion approaching measurement limits and world-class transient response. This unwavering foundation enables the LCD-5 to function as a high-resolution reference monitor in stock form while simultaneously serving as the perfect canvas for the equalization brush.
The Acoustic Microscope — Listening Impressions
The listening experience with the LCD-5 resembles peering through an acoustic microscope rather than music appreciation 11. It offers no embellishment or romanticism, only the relentless revelation of recorded information’s truth. In this chapter, we explore the character of this revelation through various musical genres.
| Reviewer / Media | Quote (Japanese translation + original) |
|---|---|
| John Darko (YouTube) 11 | ”It’s a microscope and a telescope… an exploration and perhaps most compellingly, a question.” |
| Alex Schiffer (MajorHifi) 9 | ”What impressed me most was how the LCD-5 handled softer dynamics. They trailed just as well as the louder sections, creating a wrapping feeling…” |
| Marcus Downey (Headfonics) 21 | ”The Audeze LCD-5 is the most mature-sounding and cohesive high-end Audeze headphones to date. Importantly, it is their most likable tuning…” |
| Resolve (Headphones.com Forum) 14 | ”Very detailed sounding. The LCD-5 is up there with the bigbois… Super impressive that they’re able to do this with such a small form factor.” |
| Reddit User “metal571” 13 | ”…measure notably different from any of the other previous big LCD models. Quite a bit more upper mids to the point some reviewers I trust are calling them on the shouty side…” |
Sound Quality Characteristics: The LCD-5 presents a neutral to mid-forward signature. Its sound is defined by astonishing speed, transparency, and resolution. The soundstage, while not as expansive as the HIFIMAN Susvara, boasts pinpoint-accurate holographic imaging and exceptional layering 9. It rewards high-quality recordings generously while mercilessly exposing recording flaws—an extremely revelatory headphone 11.
The “narrow” soundstage some mention may stem from misunderstanding its presentation style. The LCD-5 doesn’t aim for stadium-like vastness but studio-like precision. Its soundfield differs from the Susvara’s concert hall 20th-row experience, resembling instead the sensation of sitting at a world-class studio mixing console. Every image is perfectly positioned and defined within its own space. Therefore, the LCD-5’s soundstage isn’t “small” in a negative sense but rather “focused” and “intimate,” perfectly aligned with its intended purpose as a reference-level analytical tool.
Classical / Jazz: In these genres, the LCD-5’s capabilities are unquestionable. Its microdynamics portrayal—subtle breath on saxophone reeds 8, textural changes in drum skin 8, piano reverb resonating in halls 9—ranks among the world’s finest. String instruments and vocal timbres are extremely realistic 31, with exemplary separation of individual instruments in complex orchestral passages. It presents performance essence through analytical clarity rather than romantic warmth.
Rock / EDM: Here, the LCD-5’s character becomes more complex. Its speed and transient response are phenomenal, reproducing high-speed passages in heavy metal and electronic music with incredibly tight, controlled sound 12. However, stock tuning may lack the visceral “slam” and quantity expected in these genres by some listeners 15. Its bass dedicates everything to quality, texture, and detail rather than brute force 14.
Here, equalization works magical transformation. Simple low-shelf boosting unleashes the driver’s hidden potential, delivering powerful, textured, distortion-free bass without muddying the pure midrange 9.
Vocals: Forward-pushed mid-treble places vocalists at center-front stage, creating intimate, extremely clear presentation 9. With excellent recordings, it captures breath nuances and subtle timbral changes—truly revelatory 8. However, depending on the track or listener sensitivity, this characteristic might feel “shouty” or overly aggressive 13. This aspect can be tamed through careful amplifier selection or subtle EQ adjustment.
The Scales of Value — Evaluation
Like all equipment in this price range, the LCD-5 represents a collection of compromises and design philosophy. Here, we dissect the LCD-5’s value proposition by weighing its extraordinary strengths against the unique limitations that define its character.
| Evaluation Axis | Score | Commentary |
|---|---|---|
| Technical Performance | ★★★★★ | Beyond dispute. World-class resolution, speed, and distortion approaching vanishing point. A true “cutting-edge” transducer excelling in information reproduction. Its ability to maintain integrity under extreme EQ is testament to exceptional engineering 9. |
| Musical Charm | ★★★☆☆ (Stock) ★★★★☆ (EQ’d) | In unadjusted state, its analytical, mid-forward nature may be perceived as clinical or unforgiving. May lack the warmth and charm of predecessors and some competitors 11. However, proper EQ can achieve both technical brilliance and musical satisfaction. This duality defines the unit’s character. |
| Build Quality | ★★★★☆ | Materials (carbon fiber, magnesium, acetate, leather) are premium, with meticulous assembly 2. Feels premium and durable. Half-star deduction for initial strong clamping force requiring design changes and glued ear pad attachment compromising long-term serviceability 3. |
| Price-to-Value | ★★★☆☆ | $4,500 means competition at the pinnacle. Technical performance justifies the price, but fully unlocking its potential strongly recommends powerful, high-quality amplification and active EQ use, significantly increasing total ownership cost. Offers immense capability but requires different value standards than traditional “cost-performance.” |
| Future-Proofing / Serviceability | ★★★★☆ | High build quality suggests very long lifespan. Audeze’s support system and responsiveness to feedback, as seen with headband improvements, is reassuring 14. Primary concern is glued ear pads 3, making user replacement difficult compared to magnetic systems in competitors like Meze. |
Balance of Positive/Negative Elements:
- Strengths: Incomparable detail reproduction and speed, significant weight reduction and comfort improvement from previous models, exceptional build quality and materials, ideal platform for EQ application.
- Weaknesses: Stock tuning is mid-forward, potentially fatiguing or “shouty” for some listeners. Lacks bass quantity and impact compared to traditional Audeze sound and some competitors. Soundstage more intimate than some competitors. Very demanding amplifier requirements. Glued ear pads not user-friendly.
Analysis from a Comprehensive Perspective
The LCD-5 is not mere evolution. It is revolution—a declaration of Audeze’s strategic pivot from the “house sound” philosophy cultivated over years to a new philosophy of “accuracy as reference.” This can be seen as direct response to market demand for more neutral, revelatory transducers guided by objective measurements.
This headphone’s true identity may lie not as a completed acoustic product but as a “platform” in hardware form. Its ultra-low distortion and linear impedance curve create an ideal canvas for DSP (Digital Signal Processing) and equalization 9. Audeze’s own Reveal+ plugin ecosystem supports this interpretation 25. The design focuses on maximizing the driver’s physical potential while leaving final “artistic” tuning to users or software.
This philosophical shift transforms the value proposition of high-end headphones themselves. Value no longer resides solely in out-of-box sound. It lies in the nearly infinite acoustic possibilities hidden within a technically perfected driver system, realized through combination with modern digital tools. The LCD-5 sells not just “sound” but an unblemished “canvas” for users to paint their ideal audio vision.
In today’s flagship market, the LCD-5, HIFIMAN Susvara, and Focal Utopia form a “trinity” embodying different ideals.
- HIFIMAN Susvara: The ideal of effortless scale and immersion. Creates expansive, speaker-like soundfield that envelops listeners but demands enormous power for drive 29.
- Focal Utopia: The ideal of dynamic excitement and engagement. Beryllium drivers deliver information quantity and unmatched punch and speed, providing intuitively “enjoyable” listening experience 31.
- Audeze LCD-5: The ideal of analytical purity and precision. Eliminates romantic coloration, providing ultimate transparency and detail as the ultimate tool for dissecting recordings 9.
Conclusion and For Those Who Seek This Sound
The Audeze LCD-5 represents a monumental achievement in headphone engineering and a bold, controversial statement of intent. It has shed the physical and acoustic burdens of its lineage to become one of the most technically accomplished and revelatory headphones ever created. It possesses surgical precision, offering breathtaking transparency and speed.
However, this pursuit of accuracy sacrifices the romantic warmth and effortless musicality that defined its lineage. Consequently, stock tuning is demanding and may be an acquired taste for some. Its true genius becomes apparent when approached as a platform—a perfect transducer awaiting user commands (equalization) to be sculpted into personal audio ideals.
Recommended Users:
- Audio Professionals: Mixing and mastering engineers seeking uncompromising detail and accuracy 8.
- Analytical Audiophiles: Listeners who prioritize detail reproduction, speed, and transparency above all else, finding joy in analyzing recordings.
- EQ Enthusiasts: Users who enjoy and are proficient in using equalization to precisely tailor sound to their preferences. The LCD-5 represents the finest possible canvas for this pursuit.
Not Recommended For:
- Classic Audeze Fans: Those who love the dark, warm, hefty bass of LCD-2/3/4 are likely to feel alienated and dissatisfied with the LCD-5’s tuning 12.
- Plug-and-Play Listeners: Users seeking perfect sound straight from the box without adjustment.
- Standard Amplifier System Owners: Low sensitivity and planar magnetic design require powerful amplifiers with high current delivery capability to optimize performance.
Future Possibilities: Hardware modifications seem unlikely, but the LCD-5’s future lies in software. As more sophisticated DSP profiles are developed for platforms like Roon and Audeze’s Reveal+, its versatility will continue expanding.
Overall Rating: ★★★★☆
A masterpiece of engineering that establishes new standards for technical performance. It falls short of perfection because its challenging stock tuning requires user intervention or specific system synergy to fully unleash its magnificent potential. Not a headphone for everyone. But for the right user, this may well be their final headphone.
References
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