In the world of audio, there occasionally emerge devices that transcend mere product boundaries, crystallizing into pure manifestations of their designer’s philosophy. These solitary existences arise not from courting market trends, but from pursuing their own ideal soundscape. The CAMERTON Binom-ER, delivered from a Berlin workshop, can rightfully be called such a device.
Created by Ukrainian-born engineer Oleh Lizohub, this planar magnetic headphone has gained passionate supporters through its innovative technology and meticulous handcrafted construction. Yet simultaneously, it finds itself at the center of controversy surrounding its high pricing and the origins of its core driver components. This article deeply explores from multiple perspectives the light and shadow contained within this rare headphone called Binom-ER—its technical uniqueness and musical appeal, and its true existential significance in the high-end market. This is not merely a sound quality evaluation, but a record of the contemplative journey from thought to sound incarnation.
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CAMERTON Binom-ER — Overview
- Manufacturer / Model / Production: CAMERTON / Binom-ER / Designed and handmade in Berlin, Germany 1
- Designer: Oleh Lizohub. Founded Camerton company in Ukraine in 1999, relocated to Germany in 2011. After working as senior engineer at Voxativ, restarted brand in Berlin in 2019 2.
- Release Period: Original model released in 2021. Subsequently received continuous improvements, this review covers the latest “2024 version” 6.
- Price Range:
- Key Specifications:
- Type: Isodynamic (planar magnetic), over-ear, open-back (semi-closed structure)
- Driver Unit: Binom-E (isodynamic driver)
- Driver Size: 99 mm diameter × 7.5 mm thickness
- Frequency Response: 8 Hz – 20 kHz
- Impedance: 40 Ω ±5%
- Sensitivity: 98 dB/mW
- Total Harmonic Distortion (THD): <1% (20Hz - 20kHz)
- Power Handling: 5W (rated) / 10W (music signal)
- Weight: 375g (excluding cable)
- Connector: Dual USB-C (multi-contact symmetrical connect) 11
- Driver Conductor Material: High-purity aluminum
- Diaphragm Material: PETE (polyethylene terephthalate)
- Unit Frame Material: CFRP (carbon fiber composite)
- Driver Mass: 95 g
1. Intersection of Public Opinion
Evaluations surrounding Binom-ER are polarized to a rarely seen degree in the audio community. On one side exist voices praising its original design and musicality, while on the other persists deep skepticism about its pricing and core components. Standing at this intersection of evaluations becomes the first step toward understanding Binom-ER.
| Media/Quote (Translation + Original) | Rating | Bias Assessment |
|---|---|---|
| Headfonics ”A svelte-looking, comfortable set of high-end open-back planar headphones, with a beautiful mix of impressive low-end power and a natural tonal quality throughout.” | 9.3/10 | Professional Review: Based on manufacturer-provided samples, but high objectivity through comprehensive comparisons and detailed analysis. Trustworthy evaluation. |
| 6moons ”The planarmagnetic Binom-ER… underwent significant restructuring. It now houses a quite different driver and even stronger magnetics…” | Blue Moon Award | Boutique Review: Features author Srajan Ebaen’s narrative, subjective style. Experienced but evaluation heavily relies on personal experience. Award indicates strong favorable assessment. |
| ConvinceMeAudio (YouTube) “Highs reach peaks to incredible levels but brightness is not constant super resolving probably the most resolving headphone I have experienced so far” | Very positive | Influencer Review: Evaluation by passionate enthusiast. Loaned unit likely used. Tends to focus on subjective excitement but valuable for capturing “surprise” elements. |
| Z Reviews (YouTube) “…really warm sound… if you like warm sound… maybe this is the one for you. I won’t outright recommend it…” (09:50–10:20) | Limited/niche | Influencer Review: Known for distinctive personal preferences. Evaluation strongly filtered through his preferred sound signatures. His cautious stance toward those not seeking warm sound is important data. |
| What’s Best Forum (Industry insider) “The driver technology coming from Oleh (Camerton) is a step up… never been done before… counted among the 3 or 4 best in the world.” | Extremely positive | Industry Insider/Dealer Bias: Main speaker (Fred Crane) is dealer-related. Technical insights are valuable but praise includes commercial motivation. Must interpret considering this influence. |
| Reddit User “Mad_Economist" "Those are definitely the M1060/LCD3 clone drivers, though - I know the factory they likely got them from.” | Extremely negative/skeptical | Community Skepticism/Groupthink: This opinion represents the controversy’s core. Claims insider knowledge but presents no verifiable evidence. This sentiment has significant influence but may be based on visual similarity and price backlash. |
| Reddit User “random_LA_azn_dude" "Based on paper measurements alone, they are different drivers.” | Counterargument | Data-based Rebuttal: This user attempts to counter controversy using published specifications. Highlights ambiguity of facts at controversy’s center. |
Summary: Synthesizing published evaluations reveals sharp discourse polarization. Professional review media and industry insiders praise Binom-ER’s unique design, comfort, and natural, powerful sound. Conversely, parts of online communities express deep skepticism primarily about driver origins and pricing justification. Overall, passionate praise and deep suspicion ratio approximately fifty-fifty, with little middle ground. This polarization itself speaks to Binom-ER’s product uniqueness.
2. Design Born from Necessity
Understanding Binom-ER’s design philosophy requires first touching upon designer Oleh Lizohub’s philosophy. He calls his approach the “absolute approach”—not relying on existing product analysis but starting each project from blank slate, remaining faithful to fundamentals. Eliminating thought inertia and preconceptions, discovering problem essence himself and deriving solutions 3. This philosophy flows beneath all of Binom-ER’s original characteristics.
Heart of Controversy: The Isodynamic Driver
Binom-ER’s core is its in-house developed 99mm isodynamic driver (Binom-E). However, this heart exists at the center of both praise and controversy.
Official Position: Camerton’s narrative tells of long research and development fruits 1. Its manufacturing process is unique: after adhering aluminum film across entire ultra-thin PET (polyethylene terephthalate) diaphragm with special adhesive, photolithography technology etches unnecessary portions to form conductor traces. This claims superior electrical characteristics over common metal vapor deposition (sputtering) methods 1. Furthermore, the magnetic circuit has evolved—latest version adopts “solid carbon structure” instead of thin plates. This absolutely controls magnet spacing for stable performance 1.
“Driver Gate” — Controversy’s Depths: Against this official position, parts of the community cast stern gazes. Particularly on Reddit, suspicions repeatedly arise that Binom-ER repurposes cheap Chinese-made drivers available on AliExpress (used in products like Monolith M1060) 13. This suspicion flames further from the product’s approximately 50 availability.
This controversy isn’t merely cost concerns—it questions product authenticity. Luxury product value is supported by its narrative, craftsmanship, and unique technology. Driver repurposing suspicions could shake all three pillars.
Specification-based counterarguments exist (Binom-ER at 40Ω versus suspected driver at 50Ω), but as experienced users note, impedance is easily modified through simple circuits, making this non-definitive evidence 13.
However, Camerton’s detailed photolithography manufacturing process and solid carbon magnetic circuit features clearly differ from cheap generic drivers 1. One hypothesis emerges here: early drivers Lizohub designed around 2005 for OEM were copied in China, creating visual similarity. He himself suggests past design imitation possibilities 1. Perhaps controversy’s root lies in superficial similarities not reflecting core technologies like internal materials, manufacturing methods, and magnetic circuit structure. This review presents this hypothesis as the most reasonable, though unproven, view.
Parting from Vibration: Decoupling and Damping Systems
Lizohub’s philosophy extends beyond drivers to an obsessive-like thought of “complete vibration elimination.”
- Complete Mechanical Decoupling: No rigid coupling exists between headphone components 15. This prevents microphonic noise (vibration sound through housing) from reaching the ultra-thin diaphragm. The driver itself separates from earpads via special silicone rubber inserts 15.
- Semi-closed Design: Despite open-back appearance, earcup grilles hide internal damping layers, creating acoustically closed-back behavior 7. This design serves dual purposes: applying optimal braking (damping) to diaphragms while suppressing planar magnetic resonances, plus reducing sound leakage for portability 7. This crucial design decision determines Binom-ER’s entire acoustic character.
Unique Ergonomics and Connectivity
Approaches to comfort and reliability also defy convention.
- Monolithic Headband and Magnetic Sliders: The headband is machined from single aluminum block for rigidity and lightness 11. The slider mechanism is revolutionary—replacing traditional mechanical clicks with contactless magnetic system using variable-magnetized ferrimagnetic plates. This achieves smooth, gradual adjustment and complete acoustic isolation between headband and earcups 11.
- Dual USB-C Connectors: This typifies Lizohub’s “first-principles thinking.” For analog audio transmission, deliberately adopting modern, reliable USB-C terminals. Left/right connectivity with reversible structure offers high convenience. Furthermore, Y-cable simultaneous use of both terminals doubles signal transmission contact points for ultimate reliability—a somewhat “excessive” design 15. This symbolizes ideal-pursuing attitude regardless of cost.
Summit Competition: Specification Comparison
Binom-ER’s uniqueness becomes clearer through same-price-range rival comparison.
| Feature | CAMERTON Binom-ER | Focal Utopia SG (2022) | HIFIMAN SUSVARA | Audeze LCD-5 | Austrian Audio The Composer | Dan Clark Audio CORINA |
|---|---|---|---|---|---|---|
| Driver Type | 99mm Planar Magnetic (Binom-E) | 40mm Dynamic (Be) | Planar Magnetic (nanometer diaphragm) | 90mm Planar Magnetic (Parallel Uniforce) | 49mm Dynamic (DLC coated) | 88mm Electrostatic |
| Impedance | 40 Ω | 80 Ω | 60 Ω | 14 Ω | 22 Ω | N/A (Pro Bias) |
| Sensitivity | 98 dB/mW | 104 dB/1mW | 83 dB/mW | 90 dB/1mW | 112 dBspl/V | N/A (Pro Bias) |
| Weight | 375 g | 490 g | 450 g | 420 g | 385 g | 465 g |
| Frequency Response | 8Hz - 20kHz | 5Hz - 50kHz | 6Hz - 75kHz | 5Hz - 50kHz | 5Hz - 44kHz | No specification (flat to 6Hz) |
| Price (USD) | ~$5,800 | ~$5,000 | ~$6,000 | ~$4,500 | ~$2,700 | ~$$4,500 |
This table shows Binom-ER’s excellent weight performance and relatively easy driving among planar magnetics. However, its true value lies not in specification sheets but in the sound itself.
3. Objective Performance from Measurement Data
Before discussing subjective listening experiences, examining objective measurement data is essential for understanding product fundamentals. For boutique products like Binom-ER, finding comprehensive independent third-party measurement data proves difficult, but published specifications and several reviews allow outlining performance characteristics.
Frequency Response
According to detailed Headfonics review, Binom-ER’s frequency response has distinct personality not slavishly following general Harman target curves 33. Particularly with “A-Classic” pads, characteristic powerful bass shelf lifted widely from 20Hz to 300-500Hz. This differs from linear bass of many planar magnetics, giving sound firm weight and foundation 33. Meanwhile, 1kHz to 10kHz receives relatively relaxed, rear-positioned tuning contributing to expansive spatial expression 33. Gentle peaks around 3kHz, 5-6kHz, and 8-10kHz skillfully adjust percussion and vocal clarity with timbral contrast 33. This characteristic changes significantly with earpad selection—thinner pads suppress bass richness while bringing midrange forward, leaving room for user sound quality adjustment 33.
Total Harmonic Distortion (THD)
Among manufacturer-published specifications, total harmonic distortion (THD) deserves most attention. At sufficient 94dB sound pressure levels, THD remains below 0.01% 11. This exceptionally low figure for high-end headphones proves the driver diaphragm operates extremely accurately and linearly. This remarkable low-distortion characteristic undoubtedly provides the technical foundation for clean, transparent sound where fine details remain audible without masking even at high volumes.
Impedance and Sensitivity
Binom-ER publishes 42Ω impedance, approximately 94dB/mW sensitivity 11. Headfonics review states maximum SPL exceeds 135dB/Vrms, evaluating it as “one of the easiest to drive high-end flagship planar magnetics we’ve reviewed” 6. This contrasts with competitors like HIFIMAN SUSVARA requiring extremely powerful amplifiers for maximum performance. Binom-ER’s ability to deliver excellent performance from portable sources offers significant advantage in usage flexibility 6.
Transient Response
Detailed transient response data like independent CSD (Cumulative Spectral Decay) plots aren’t widely published currently. However, the aforementioned extremely low THD and repeatedly mentioned “excellent microdetail” in reviews 33 reasonably suggest very fast driver response speed capable of accurately reproducing sound attack and decay. Japanese reviewer YouTube videos also touch on transient response measurements 45, suggesting excellent performance.
Synthesizing measurement data, Binom-ER’s driver boasts extremely high technical completion, with distortion levels particularly noteworthy. Moreover, tuning aims not for strict neutrality but music-focused expressive power emphasizing rich, powerful bass.
4. Sonic Portrait
Let’s step from technical analysis into sensory realm. What landscape does Binom-ER’s sound paint? Word fragments quoted from various reviews become important clues for revealing that portrait.
| Reviewer / Media | Quote (Translation + Original) |
|---|---|
| Headfonics | ”A beautiful mix of impressive low-end power and a natural tonal quality throughout.” |
| 6moons | ”Powerful but not bloated true sub bass—…and top-end sparkle cutting through only when focused on.” |
| Z Reviews (YouTube) | “Really warm sound… if you like warm sound… maybe this is the one for you.” (09:50–10:20) |
| What’s Best Forum User | ”Reminded him of Sound Experience in a Room!” |
Synthesizing these words, let’s describe Binom-ER’s behavior across musical genres.
Classical Music: Binom-ER’s reproduction seems filled with power and realism. Borrowing manufacturer’s words, “violin sound makes you reconsider the entire relationship with classical music” and “harpsichord sound gains unimaginable volume” 31. This suggests dynamic, impactful expression opposite sterile analyticism. Headfonics’ noted powerful fundamentals and natural timbre 6 give cellos and double basses substantial weight, while 6moons’ “treble sparkle appearing only when focused” 30 illuminates string and brass overtones without harshness. Most importantly, the “speaker-like room sound” praised soundstage 18 becomes unmatched weapon for reproducing orchestral scale and spatiality.
Jazz: Headfonics review explicitly states warmer “A-Classic” pads “harmonize beautifully with jazz recordings” 32. This warmth and powerful bass likely provide acoustic bass with satisfying presence and weight. “Velvet-like” vocals described by Headfonics 33 should deepen vintage jazz singer voices. This headphone’s high resolution prevents warmth from becoming unclear, clearly delineating complex textures like saxophone reed quality and ride cymbal shimmer. Jazz might be one of Binom-ER’s strongest genres.
Electronic Music (EDM, Synthwave): Powerful yet non-bloated deep sub-bass 6 becomes this genre’s greatest asset. Unlike some well-behaved planars, Binom-ER can provide physical impact electronic music demands. Headfonics description of similar driver philosophy products being “well-suited for synthwave and fast BPM dance recordings” 34 suggests Binom-ER’s driver response speed can follow complex electronic rhythms. The key to maximizing its capability lies in quality amplifier pairing that controls power without losing definition.
Rock & Metal: Earpad selection becomes critically important for these genres. Warm “A-Classic” pads may obscure midrange clarity with darker tonality, potentially “not well-suited for drier, more complex hard rock recordings” 32. However, thinner “Mobile” pads with “reduced bass warmth and punchy character” are evaluated as more suitable for rock and metal’s prominent mid-low vocals 33. This reveals Binom-ER’s surprising versatility—proper pad selection enables aggressive, punchy expression needed for heavy genres.
5. Value Balance
Every product faces the destiny of having its performance, price, and existential significance weighed. Binom-ER is no exception. Here we calmly judge its value based on multiple evaluation axes.
| Evaluation Axis | Score (5-point scale) | Commentary |
|---|---|---|
| Technical Performance | 4.5 | Positive aspects: Binom-ER is an innovative engineering showcase. Contactless magnetic sliders, complete mechanical decoupling, and arguably excessive USB-C connection system 11 are truly novel, demonstrating “first-principles” design philosophy. Published THD <0.01% specification is also exceptional 2. Negative aspects: Performance is overshadowed by unresolved “driver gate” controversy 13. While drivers are likely highly modified or completely proprietary, transparency lack and visual similarity to cheap units creates unshakeable suspicion. Also, relatively low sensitivity requires quality amplification. |
| Musical Charm | 4.0 | Positive aspects: Reviews consistently describe natural, powerful, compelling sound 6. Avoids sterile analyticism of some flagships, providing rich, weighty expression particularly convincing for acoustic genres like jazz and classical 31. Speaker-like soundstage is major attraction 18. Negative aspects: Basic tuning can become very warm depending on pads, potentially unsuiting users seeking strict neutrality 17. Sound quality characteristics heavily depend on pad selection 33, potentially feeling too dark or colored “out of box” for some users. |
| Build Quality | 5.0 | Positive aspects: Flawless. All structural components CNC-machined from aerospace-grade aluminum blocks 15. Monolithic headband, perfect finishing, premium material use like Alcantara matches pricing 7. Reviews consistently praise design and texture 6. Hand-manufactured in Germany by designer himself, representing boutique craftsmanship pinnacle 2. Negative aspects: No cup swivel mechanism is intentional design prioritizing rigidity, but lacks fit flexibility versus competitors 7. |
| Price-to-Value | 2.0 | Positive aspects: For those valuing custom craftsmanship, obsessive design philosophy, and unique acoustic expression, pricing is justifiable as cost for acquiring one creator’s “functional art piece.” It’s a statement piece. Negative aspects: This is the headphone’s Achilles’ heel. Approximately $5,800 pricing competes with or exceeds established giants like Focal Utopia and Audeze LCD-5 7. Unresolved driver controversy 13 significantly undermines value proposition. From pure performance-to-price perspective, Binom-ER objectively proves difficult to justify. |
| Future-proofing / Serviceability | 3.5 | Positive aspects: Modular design with magnetic pads 36 and detachable cables easily replaceable. Manufacturer shows commitment to iterative improvements, offering existing owner upgrades 1. Small, direct operation potentially leads to excellent personal service. Negative aspects: Small boutique company long-term viability always carries risk. Proprietary connectors and magnetic slider systems could make out-of-warranty repairs difficult or impossible if company ceases operations. This is significant risk versus large manufacturers like Focal or HIFIMAN. |
6. Summit Battle: Exploring Existential Significance
Transcending single product evaluation to market-wide perspective reveals Binom-ER’s true nature. We must answer: “Why does Binom-ER exist in a world with such excellent competitors?”
High-end markets have established “sonic schools.” Focal Utopia (2022) represents dynamic driver explosive impact and tactile texture 20. Audeze LCD-5 embodies analytical precision, speed, and studio-conscious reference tuning 24. HIFIMAN SUSVARA provides ethereally expansive, transparent soundstage at the cost of extreme driving difficulty 22. Dan Clark Audio CORINA uses AMTS technology to suppress electrostatic sharpness for more natural timbre 28. Austrian Audio The Composer delivers balanced, neutral reference sound dubbed “super HD600” 26.
Where does Binom-ER position itself? It’s neither Utopia’s aggressive dynamics, LCD-5’s clinical accuracy, nor SUSVARA’s ultimate openness. Its goal seems fusion of planar magnetic power with natural, speaker-like realism. Reviews consistently mention “power” and “natural” in same contexts 6, with “speaker-like room sound” comments 18 being symbolic.
Binom-ER’s raison d’être lies in fusing top-tier planar magnetic weight, authority, and bass extension with inherently organic, fatigue-free timbre. It’s an antithesis to hyper-analytical trends, declaring technical perfection isn’t the sole goal. Its ultimate purpose, as manufacturer states, is the very “joy derived from music’s warmth and unique resonance” 3.
- vs. Focal Utopia (2022): Philosophy battle. Utopia’s beryllium driver provides unmatched textural expression, transient response and dynamics 20. Binom-ER counters with large planar driver’s scale and bass authority. This is “dynamic impact” versus “planar weight” confrontation.
- vs. Audeze LCD-5: Clearest contrast. LCD-5 is precision/transparency “scalpel,” sometimes sacrificing musical tolerance 24. Binom-ER is rich timbre/cohesive warm expression “paintbrush,” distinguishing from ultimate detail pursuit 17.
- vs. HIFIMAN SUSVARA: Openness competition. SUSVARA is legendary for expansive, ethereal soundstage but demands extreme amplifier performance 23. Semi-closed Binom-ER provides more restrained yet undoubtedly more powerful, impactful expression. Crucially, much easier driving 6 makes it realistic choice for more systems.
- vs. Austrian Audio The Composer: Two paths to reference. The Composer is extremely neutral, balanced dynamic praised as “super HD600” 40. While Binom-ER also aims for naturalness, it’s inherently warmer, richer, more powerful. If The Composer is objective reference, Binom-ER is subjective, romantic reference.
- vs. Dan Clark Audio CORINA: Interesting parallel. Both are designer-led boutique products. CORINA uses AMTS tuning system to suppress “electrostatic sharpness” for more natural timbre 28. Binom-ER similarly tries suppressing planar magnetic treble harshness for warm, smooth sound. Both share common ambition of injecting organic musicality into highly technical driver types.
7. Conclusion: For Whom Does This Sound Exist?
At journey’s end through this long, sometimes convoluted path, what have we discovered? CAMERTON Binom-ER is not for everyone—it exists for limited listeners with specific values.
Recommended for this headphone:
- “Philosophical audiophiles” who value not just sound but underlying narratives and design philosophies.
- Listeners prioritizing rich, powerful, natural sound over ultimate analytical capability.
- Those wanting to enjoy jazz, acoustic, and well-recorded classical music with speaker-like immersion.
- Quality amplifier owners not wanting extreme driving requirements like SUSVARA.
Should avoid this headphone:
- “Value-focused audiophiles” prioritizing performance-to-price ratio above all.
- Listeners seeking strict neutrality, bright presentation, or ultimate treble airiness and sparkle.
- Those for whom unresolved driver controversy creates persistent doubt or distrust.
- Users preferring “set and forget” experiences rather than pad experimentation for ideal sound.
Future prospects: The company’s iterative design history suggests possibilities for future pad additions, tuning updates, or “Binom-ER MkII” emergence. Its modular structure suits such evolution.
Overall Rating: ★★★★☆
This rating reflects Binom-ER’s dual nature. While earning 5 points for build quality, 4 points for musical charm and technical innovation, price-to-value and controversy shadows necessitate rating reduction. It’s a flawed masterpiece with questionable origins, or perhaps a solitary artwork awaiting opportunity to prove its worth. Final judgment lies in your hands—taking it up and touching its philosophy with your own ears.
Updated 2025.09.01: Review revised regarding driver controversy since no concrete evidence has been presented by skeptics at time of writing (rating changed from 3.5 to 4.0)
References
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